Dandadan is a show about people who have lost their agency through multiple ways, and how we as people arent broken down by it. Both the main characters were basically SA’d, and each arc showcases someone else whose lost their agency somehow. Acrobatic silkies backstory, the punching shrimp guy, etc
that’s fair but there’s more ways to show a loss of agency than just SA scenes. when like two thirds of the villains try to get all rapey, even if i’m being charitable it still dilutes the shock and feels a little lazy, and with that much fanservice it really doesn’t seem all that benign tbh. if you really want to keep the effect it would work just as well with fewer rapists taken more seriously
The first scene (handled horribly as it is) is frankly pretty important. The only reason momo gets saved is BC of the SA, turbo granny’s whole thing is despising the ones who assault young girls Still a little confusing on why turbo granny right after attacks momo as okarun, prob shitty writing to make dramatic tension
I disagree. It’s very clear that the sa scenes are reduced to gag fan service scenes, instead of holding any thematic weight. Like the way it always depicts momo in these suggestive positions makes it evident that it’s for the male gaze. If it were really for “sa representation,” they would further unpack her trauma after each assault, and yet it’s always brushed off